His power to evoke passion was legendary. He could send women swooning just by running his fingers across the ivory keys of a piano. The world fell to its feet in the presence of his musical powers. He created, composed and conjured entirely new worlds of sound from multitudes of magnificent keystrokes. Females were especially prone to his mysterious musical powers. Because of this, he fell in and out of romance. In even greater numbers, he fell in and out of bed. Fathering any number of children with true loves and midnight mistresses. Because of his reputation for romances, both sweeping and fleeting, it is hard to imagine the Hungarian musical impresario, Franz Liszt, ever settling down in marriage. He never quite did, but he was willing to try. When the opportunity arose to marry a countess, Liszt was more than willing to oblige.
Reverence, Rudeness & Respect – Prestigious Possibility
Among the many personality traits of Franz Liszt, one of the more pronounced was his snobbery. Like most snobs, the one thing he could never stomach was others who thought they were better than him. There is nothing a snob abhors more than another snob. Liszt could not stand to be looked down upon due to the simple fact that he himself looked down on the world. His musical ability gave him an exalted position both socially and culturally. For Liszt, it was normal to be treated with the utmost adoration. This was not so much a privilege, as it was his right. Thus, if anyone in the aristocracy or royalty (the elite classes of Europe during the 19th century) did not show him the proper respect, Liszt would reciprocate with rudeness. Conversely, when treated with the proper reverence, Liszt could be gracious, humble and kind. One of Liszt’s great ambitions in life was to climb the social ladder. His musical talent opened the world of aristocracy up to him. He most often played for audiences filled with the finest aristocrats in Europe. During his concert tours he met large numbers of princes and princesses. It was the latter that offered him not only the romance he craved, but also the prestigious possibility of marriage into high society.
On a concert tour in 1847 Liszt met the Polish noblewoman Countess von Sayn-Wittgenstein while performing in Kiev. The Countess lived in what was then the Ukrainian part of the Russian Empire. Her wealth was beyond belief. She owned multiple estates with thousands of serfs working the land. The Countess was something of a paradox. She enjoyed elite social status while at the same time being fanatically religious. The Countess wrote long winded books on religious subjects. Her literary output was lengthy in the extreme, with works that would put War and Peace to shame for their sheer volume of words. Such traits attracted Liszt to her. The Countess’ religious fervor was matched by his own. While the Countess’ social standing appealed to Liszt’s snobbishness. The Countess though, was much more to Liszt than just one of his many mistresses. He would eventually become an abbe (Catholic clergyman) in the Catholic Church. Their kindred religious spirits led to an unlikely romance between the two. By all accounts the Countess was unattractive, homely and serious minded. A sort of uber wealthy plain jane of Russian Ukraine. Liszt hardly cared because of her aristocratic background. There was only one problem, the Countess was married.
Life With Liszt – A High Price To Pay
The Countess’ husband was a Russian military officer who went by the exquisite name of Prince Nikolaus zu Sayn-Wittgenstein-Berleburg-Ludwigsburg. They had one child, a daughter, but the couple were soon living apart. It was a marriage for the sake of titles, prestige and wealth. Love was not a consideration. The Countess spent years trying to get a divorce from Prince Nikolaus. She began living with Liszt in Weimar a year after they met. After two face-to-face meetings with the pope, she nearly succeeded. On October 22, 1861, the Countess and Liszt were due to be married in Rome. Liszt arrived the night before the wedding fully expecting to get married for the first time. The ceremony was scheduled to take place on his 50th birthday. It would never happen. Intervention by The Countess’ husband and the Russian Tsar stopped the marriage. The Russian government had impounded her estates.
If the Countess had gone through with the marriage, she would have lost a fortune. Her lone child, a daughter by Prince Nikolaus, would have had her marriage prospects irreparably damaged. Thus, the marriage failed. The Countess and Liszt eventually grew apart. She was disgusted by his numerous affairs. He was an inveterate womanizer who took the Countess’ love for granted. She eventually grew fed up and moved to Rome. What Liszt was doing with the Countess says much more about him than it does her. Liszt longed for adulation, an aristocratic title would have been another stepping stone to greater prestige. It never happened, but it did not stop him from trying. For the Countess, Liszt was like a dream that was slowly defeated by reality. The Countess was unique though. Her religious fervor knew no bounds. She was loyal to Liszt and that loyalty came at an astronomical price. She squandered much of her riches for the pursuit of passion and a spiritual kinship.
Romance & Religion – Kindred Spirits
In the end, a life together for Liszt and the Countess was not meant to be. After the attempt at marriage failed, the Countess became just another woman for Liszt in an unending succession of them. A few he loved, most he did not. The love that had existed between the two of them faded. In her post-Liszt life, the Countess spent years writing religious tomes. Her magnum opus was a 24-volume work, Exterior Causes of the Interior Weakness of the Church. Not exactly a page turner. It had the added drawback that on average each volume was over a thousand pages in length. No one remembers these books. For that matter, no one remembers the Countess von Sayn-Wittgenstein except for the romance and religion she shared with the famous Franz Liszt.